Writing Jamie Oliver and the Epic Fail The Blake-ification of the Roald Dahl brand The bastardisation of Roald Dahl’s ‘The Twits’ Who’s Telling the Story: Quentin Blake or Roald Dahl? m i r r o r s The Many Faces of the Oompa-Loompas The Use of Direct Address in Roald Dahl’s “The Visitor” Hero-worship and censored criticism: A review of ‘Storyteller: The Life of Roald Dahl’ The New Yorker’s Promotion of Roald Dahl’s Monstrous ‘The Landlady’ “Words Matter” (Haven’t They Always?): On Re-writing Roald Dahl Violent motivations in Roald Dahl’s “The Great Switcheroo” and “The Last Act” Voicelessness and Sexual Power Dynamics in Roald Dahl’s “The Visitor” Willy Wonka as Colonialist Hero Fatphobia in ‘Charlie and the Chocolate Factory’ and ‘Matilda’ I You & I and again Wilfrid Moore’s Eventful Day My Brother, The Clown Bottling Up Cowboys & Indians Playing Scrabble Duct Tape You Like Loading...
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